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								Modern AVR’s include all kinds 
								of wizardry for speaker setup, positioning and 
								room equalization. Anyone in the know will tell 
								you that room EQ hardware and software should be 
								a last resort. Correct acoustical treatments 
								will pay much bigger dividends. 
								If you are like many people, 
								you have recently upgraded your home theater, or 
								you’re getting ready to do so.  During this 
								process you’ve likely learned that the speakers 
								in the TV are sub-par and you should upgrade 
								your audio experience to include an external 
								sound system.  This has become common practice 
								and common knowledge. What you haven’t learned, 
								and which is probably even more important, is 
								how to upgrade the room itself. 
								One of the things people 
								overlook when trying to make a home theater, is 
								that a real theater pays a lot of attention to 
								the design and treatment of the theater 
								environment. They have good left-right design 
								symmetry (see the diagram for a sample home 
								theater layout).  A good theater also has 
								acoustically treated the space so that people 
								can hear everything that is happening, from 
								anywhere in the theater.  This article will 
								teach you some of the tricks of getting that 
								great big theater soundstage into your home 
								theater. 
								
								  
								Bass 
								Traps – the low-down solution.
								Low frequency problems are 
								common to almost any room, regardless of size.  
								The good news is that, most of the time, the 
								solution is simple: put
								bass traps 
								in the corners of the room.  This is one place 
								where it pays to put a little extra in the 
								budget.  Corners are defined as the intersection 
								of two or more surfaces. There are not just 
								corners at the end of each wall, but also along 
								the floor and ceiling where the walls intersect 
								them.  The more corner you cover with a good 
								trap, the better bass response you get – it’s 
								that simple.  Bass loves the corners, and by 
								putting bass 
								traps there, you keep the bass crisp and 
								natural.  If bass frequencies are allowed to 
								build in the corners, it causes the bass 
								frequencies to become muddy and undefined – trap 
								them. 
								Some
								bass traps 
								work double duty as
								broadband 
								absorbers as well, which can keep your costs 
								down when considering covering a bunch of square 
								footage with absorbers.
								Bass traps 
								alone can solve many problems in your room, and 
								due to the simplicity of the implementation, I 
								recommend you start with these first - at least 
								fill the four main corners. 
								Foam works. But this is a 
								theater, not a studio. 
								Fabric wrapped 
								absorbers look as good as they sound, and
								
								Geometrix™ by Acoustics First, fit the 
								corners like a glove.  Pick a fabric and get 
								some quarter rounds to fill your corners – 
								that’s it. 
								Broadband 
								Absorption – tame the ring.
								Another common problem in home 
								environments can be easily verified with a clap 
								test.  Go into your room and clap your hands.  
								Most likely you will hear more than just the 
								initial clap.  Depending on the severity of the 
								problem, you will hear a flutter, ring, or echo 
								after the initial *pop*.  This is caused by the 
								sound waves bouncing around off the hard 
								surfaces of the room and returning to your ears 
								after a delay - the more times they bounce 
								without losing energy, the longer the delay. The 
								best way to remove energy from these waves is to 
								use broadband absorption, but where do you put 
								them? 
								More than likely, your TV and 
								sound system are going to be in a fixed 
								position, and your listening position will also 
								be fixed – so the early reflection surfaces 
								should be easy to locate.  You will need a 
								friend for this activity, a mirror, and a 
								pencil. Have your friend place the mirror flat 
								against the side wall and move it around until 
								you can see the speakers in the reflection from 
								your seat – then mark the wall. This is where 
								you are going to place the absorber. The diagram 
								shows a good place to start looking for these 
								reflection paths. Repeat this for all the walls 
								from all the seats.  
								What you are looking to create 
								is a reflection free zone, which basically 
								means, wherever the sound could bounce off a 
								surface and get to your ears, we are going to 
								absorb energy from it.  You can spend a good 
								deal of time on this, but this is the only step 
								that requires this time and effort, so make it 
								count.   Sound travels in all directions from 
								the speaker, including behind it, so put
								absorbers 
								behind it on the wall. Don’t forget the floors, 
								ceiling, and the wall behind you – sound will 
								bounce off those as well.  
								This simple process will show 
								you where you need to treat.  Hang broadband
								absorbers over 
								all the early reflection points – left, right, 
								front and back. 
								Absorber 
								clouds should be hung on the ceiling, and 
								place a nice thick carpet on the floor.  
								Placement is the first key to getting this 
								reflection free zone.  The second is the right 
								choice of absorber.  
								To match your
								
								fabric wrapped bass traps, the simple choice 
								is get some more
								panels wrapped 
								in fabric. The
								Sonora® line of 
								broadband absorbing panels coordinate with 
								the 
								bass traps, and come in a plethora of sizes 
								and mounting options to work in your space.  
								Need 2’x4’ behind the speakers, 4’x4’ on the 
								sidewalls, 2’x6’ on the back wall, and a 2’x6’
								ceiling 
								cloud - all in material that match those
								bass 
								traps? Done.    
								Finally, use broadband 
								absorption with caution, specifically using too 
								much.  If you plan on covering more than 50% of 
								your walls with this stuff, you’re going to 
								notice a muffled almost claustrophobia inducing 
								deadness.  We are not trying to suck the life 
								out of the room.  We are just trying to take 
								enough energy away from those early reflections 
								to keep the focus on the initial sound produced 
								by the speakers. 
								Diffusers 
								– put life back into your space.
								The steps we have taken up to 
								this point have been using absorption to control 
								excess energy that can have an adverse effect on 
								the listening environment.  We have removed the 
								unwanted direct reflections and we have tamed 
								the bass, but there is something more we can do 
								to give life to this room –
								diffusion. 
								
								Diffusion 
								will give us something we couldn’t attain 
								through absorption 
								- a sense of open space.  Even after treating 
								with absorbers, 
								there are still areas of the room where sound 
								waves will sit, because your room is a fixed box 
								with fixed speakers. 
								Diffusers 
								scatter the energy, creating ambiance with 
								residual energy, like sitting quietly in a 
								forest – the energy around you being 
								directionless, omni-present, and spacious.  This 
								simple step does not remove energy from your 
								room, but redistributes it into a soundscape 
								that can make you forget you are in a room at 
								all. 
								There are many ways to diffuse 
								the sound and coordinate with your room, from 
								the fabric covered
								
								HiPer™ Panel and
								Double 
								Duty Diffusers™, to the striking line of
								Art 
								Diffusors® like the
								
								Model C, which can be painted to match your 
								décor.  
								Advances in
								acoustic 
								treatments are being made all the time, 
								bridging form with function, creating products 
								as visually stunning as they sound – and helping 
								your theater, or any theater, be the best that 
								it can be. So use these tips to set up your
								home 
								theater like a real theater, and experience 
								the difference a soundstage upgrade makes. 
								About James
								When not writing, Mr. 
								DeGrandis is a Microsoft Certified Systems 
								Engineer who has built professional broadcast 
								studios and is currently working with Acoustics 
								First Corporation on 
								new designs for sound diffusion products.  |